Published: July 24, 2018
The New York Times bestselling author of No Time for Goodbyereturns with a haunting psychological thriller that blends the twists and turns of Gillian Flynn with the driving suspense of Harlan Coben, in which a man is troubled by odd sounds for which there is no rational explanation.
College professor Paul Davis is a normal guy with a normal life. Until, driving along a deserted road late one night, he surprises a murderer disposing of a couple of bodies. That’s when Paul’s “normal” existence is turned upside down. After nearly losing his own life in that encounter, he finds himself battling PTSD, depression, and severe problems at work. His wife, Charlotte, desperate to cheer him up, brings home a vintage typewriter—complete with ink ribbons and heavy round keys—to encourage him to get started on that novel he’s always intended to write.
However, the typewriter itself is a problem. Paul swears it’s possessed and types by itself at night. But only Paul can hear the noise coming from downstairs; Charlotte doesn’t hear a thing. And she worries he’s going off the rails.
Paul believes the typewriter is somehow connected to the murderer he discovered nearly a year ago. The killer had made his victims type apologies to him before ending their lives. Has another sick twist of fate entwined his life with the killer—could this be the same machine? Increasingly tormented but determined to discover the truth and confront his nightmare, Paul begins investigating the deaths himself.
But that may not be the best thing to do. Maybe Paul should just take the typewriter back to where his wife found it. Maybe he should stop asking questions and simply walk away while he can. . .
While it was wholly compulsive and difficult to put down, A Noise Downstairs doesn’t become an action driven plot for the first 30-40% of the novel; it takes its time in a slow burning suspense while becoming acquainted with the characters, which is a style of writing I love. You get a lot of the set up from the synopsis, but initially we find our main narrator Paul caught in an unexpected exchange with co-worker Kenneth. Unfortunately, Paul has decided to follow Ken to inform him that he has a tail light out, things escalate, and Ken attempts to murder Paul. We are then thrust forward eight months after the incident, where Ken is in prison, Paul is spending time recovering with the help of his therapist, Anna, and his second wife, Charlotte, and things are tense. Paul thinks it will be cathartic to write about his experiences in hopes of working through his PTSD, so Charlotte surprises him with an old Underwood typewriter she found at a yard sale. The thing is, Paul starts hearing the typewriter in the middle of the night, and what unfolds is a tale of “Is he delusional or is someone out to get him?” in the most suspenseful format.
It’s like reading a Twilight (the television show) episode with a bit of Gaslight (the movie) thrown in and a bonus of several twists.