Published: March 1, 2004
The vision has haunted him for four years–a young woman lying crumpled in death, her hand outstretched in silent supplication. Harry Bosch was taken off the Angella Benton murder case when the production assistant’s death was linked with the violent theft of two million dollars from a movie set. Both files were never closed. Now retired from the L.A.P.D., Bosch is determined to find justice for Angella. Without a badge to open doors and strike fear into the guilty, he’s on his own. And even in the face of an opponent more powerful and ruthless than any he’s ever encountered, Bosch is not backing down.
I’ve read or listened to most of the Harry Bosch series but every once in a while I will come across one that’s I’ve missed. This was one and when I found it available on OverDrive I checked it out.
Writing in the first person for the first time, Connelly finally gets us inside Bosch’s head and it really gives us an insight to how his mind works. Great job on the author’s part.
Recalling the opening of Raymond Chandler’s The Big Sleep, Bosch shows up at a rich movie executive’s home in his best suit. He has gone to ask about a woman who was murdered when Bosch was still on the police force. You see, when Bosch retired, he took his unsolved case files with him, and some of the untouched cases still haunt him.
The woman Bosch is asking about was killed at the movie exec’s studio and the case was eventually overlooked, when an armored truck delivering two million dollars as a movie prop was hijacked. But Bosch never forgets, and after asking around, he gets warnings from some of his old co-workers, namely Kiz Rider, who asks him to stay out of the case.
As Bosch begins to sift through the murder, the FBI, a paraplegic ex-cop, productions studios, his former wife, and Hollywood clubs become involved. When one of the marked dollar bills from the robbery turns up with a suspected terrorist, Bosch becomes entangled with the newly created Homeland Security division of the FBI. This is where Connelly begins to shine. He ratchets up the suspense as Bosch becomes more and more involved with the Feds, who are trying to keep him off the case. But in true private investigator tradition, Bosch only becomes more stubbornly determined to solve the case.
Particularly enjoyable are those scenes when we follow Harry as he tries to interview suspects and find clues, and the difficulty he has making the transition from an insider to an outsider. The interactions with characters, the paraplegic especially, have a very dark and moody feel.
The ending of the story is a surprise and a tear-jerker (at least for me), but works with Connelly’s theme of balancing the light and darkness of his mission, and the last third of the book is absolutely riveting.
I’m going to re-check my list to see if I have missed any other Harry Bosch gems and find them if I can.