The Suspect (Kate Waters #3) by Fiona Barton

Book Description:

Published: January 24, 2019

Format: Audio/OverDrive

Stars: 4

The police belonged to another world – the world they saw on the television or in the papers. Not theirs.

When two eighteen-year-old girls go missing on their gap year in Thailand, their families are thrust into the international spotlight: desperate, bereft and frantic with worry.

Journalist Kate Waters always does everything she can to be first to the story, first with the exclusive, first to discover the truth – and this time is no exception. But she can’t help but think of her own son, who she hasn’t seen in two years since he left home to go traveling. This time it’s personal.

And as the case of the missing girls unfolds, they will all find that even this far away, danger can lie closer to home than you might think . . .

Review –

“When two girls traveling in Thailand turn up dead in a suspicious fire, journalist Kate Waters follows the story without disclosing a hidden agenda.

Kate’s son, a former golden boy, dropped out of school and traveled to Thailand two years prior, and he’s been in sporadic touch since. Coincidentally, it turns out that he was present at the same guesthouse on the night the girls died. Sidelined because of her conflict of interest, Kate continues to investigate, as does DI Bob Sparkes, a compassionate policeman distracted by the impending death of his wife. Which leads one to wonder: When did all thriller writers begin to fashion themselves as psychologists? There’s a dead giveaway to any possible plot twist—a character whose face or eyes is described as “blank.” In Barton’s  book, to be fair, it takes almost 300 pages to reach this moment, and up until that point, she creates quite a bit of narrative interest by giving voice to the victims in addition to the many people involved in the investigation—driven reporters, bereaved parents, and very human policemen. But once the killer is clearly outed, even though it takes another 100 pages for all the pieces to fall into place, the novel quickly loses steam. Even a final moral conundrum that should immediately freeze the blood of any parent seems overly constructed rather than shocking. By that point, it had become tiresome reading about most of the characters and their shifty relationships to the truth. “No one is to be believed ever,” seems to be a major takeaway. Oh, and P.S., don’t let your kids run wild in Thailand.

This has the potential to be a thoughtful thriller with an interesting setting, but Barton is too willing to cater to expectations—short chapters, familiar clues, and stereotypical villains.” Kirkus Reviews

Kirkus Reviews is spot on and I couldn’t have said it better. I did have a problem with the ending and I haven’t decided if I will continue with this series.

 

 

The Child by Fiona Barton

Book Description:

Published: June 29, 2017

Format: Audio/OverDrive

As an old house is demolished in a gentrifying section of London, a workman discovers a tiny skeleton, buried for years. For journalist Kate Waters, it’s a story that deserves attention. She cobbles together a piece for her newspaper, but at a loss for answers, she can only pose a question: Who is the Building Site Baby?

As Kate investigates, she unearths connections to a crime that rocked the city decades earlier: A newborn baby was stolen from the maternity ward in a local hospital and was never found. Her heartbroken parents were left devastated by the loss.

But there is more to the story, and Kate is drawn—house by house—into the pasts of the people who once lived in this neighborhood that has given up its greatest mystery. And she soon finds herself the keeper of unexpected secrets that erupt in the lives of three women—and torn between what she can and cannot tell…

Review –

Although the author relies on multiple points of view to tell (and retell) the larger story of the “Building Site Baby” as the unidentified infant comes to be known. Three other female characters get drawn into this story by learning about that same news item that piqued Kate’s curiosity. First to appear is a nervous young woman named Emma who’s married to an older professor; like Kate, Emma spots the story in the evening paper and reacts in a gush of purple prose: “I keep reading it over and over. I can’t take it in properly, as if it’s a foreign language. . . . [T]error is coiling around me. Squeezing the air out of my lungs. Making it hard to breathe.”

Then there is Jude, Emma’s mother, a narcissist, who quickly puts an end to the conversation by saying, “Well, we don’t want to talk about dead babies, do we?”

And finally, Angela, an emotionally fragile older woman, is the most sympathetic of the trio. Back in 1970, she gave birth to a baby daughter whom she named Alice. The next day, Alice disappeared from her cot in the hospital. When Angela spots the building-site baby article in the newspaper, she shouts out loud and then insists to her husband, “It’s just after [Alice’s] birthday. That could be a sign.” But the couple has been down this road too many times before. “It will be more heartbreak if you get your hopes up,” advises Angela’s husband. “It’ll make you ill like before.”

How do these three women fit together or do they? Who is the “Building Sight” baby and what happened to it all those years ago?

This was a great read with a great twist at the end.

Loved It!