Published: February 16, 2016
When the police started asking questions, Jean Taylor turned into a different woman. One who enabled her and her husband to carry on, when more bad things began to happen…
But that woman’s husband died last week. And Jean doesn’t have to be her anymore.
There’s a lot Jean hasn’t said over the years about the crime her husband was suspected of committing. She was too busy being the perfect wife, standing by her man while living with the accusing glares and the anonymous harassment.
Now there’s no reason to stay quiet. There are people who want to hear her story. They want to know what it was like living with that man. She can tell them that there were secrets. There always are in a marriage.
The truth—that’s all anyone wants. But the one lesson Jean has learned in the last few years is that she can make people believe anything…
The Widow opens in an English university town four years after the alleged abduction and murder of two-year-old Bella Elliott. The prime suspect remains Glen Taylor, a “mild-mannered” delivery driver whose professional aspirations are never realized and whose childless marriage is put under scrutiny. The only problem is, Bella has never been found and now Glen, released after an unsuccessful prosecution, is dead in an accident.
The result is even more press coverage, more police inquiries and much more pressure for the widow, Jean Turner.
Told primarily from Jean’s point of view, The Widow weaves back and forth in time. We also see the story from the viewpoints of Bob Sparkes, the detective who originally worked the case, and Kate Waters, the reporter angling for an exclusive with the widow. But it is only the widow’s actions and thoughts we witness firsthand.
And those thoughts, as well as appearances, can be deceiving.
Old questions arise and new ones emerge. Was it really Glen? Was he innocent? What does Jean know? Is she in denial or was she in league? Was it all a big misunderstanding?