The Sentry (Elvis Cole #14, Joe Pike #3) by Robert Crais

Book Description:

Published: January 11, 2011

Format: Audio

Dru Rayne and her uncle fled to L.A. after Hurricane Katrina; but now, five years later, they face a different danger. When Joe Pike witnesses Dru’s uncle beaten by a protection gang, he offers his help, but neither of them want it — and neither do the federal agents mysteriously watching them.

As the level of violence escalates, and Pike himself becomes a target, he and Elvis Cole learn that Dru and her uncle are not who they seem — and that everything he thought he knew about them has been a lie. A vengeful and murderous force from their past is now catching up to them… and only Pike and Cole stand in the way.

Review –

As you know, Joe Pike is one of my favorite fictional character and I had high hopes for him with this book, but it just wasn’t meant to be.

In previous books Joe Pike hid behind sunglasses he never took off. He usually wore a  gray sweatshirt with the sleeves ripped off to show tattoos of red arrows (pointing forward, of course) on his biceps. He owned a gun shop and drove a Jeep he kept spotlessly clean and always had Cole’s back in a jam. The most emotion he showed was when the corner of his mouth twitched after Cole said something particularly funny.

He’s loyal to his friends, especially Cole, and his lonely side is coming out over the last few books. It’s making him behave oddly and get involved with people he’d never bother with in the past, like the seemingly innocent man and his niece whose sandwich shop gets attacked by Mexican gangbangers in Venice, Calif., at the start of “The Sentry.”

Pike makes quick work of the gangsters, of course, and sparks fly with Dru Rayne, the hot young niece from New Orleans. They go on a friendly little date and all sorts of trouble results. Dru Rayne and her uncle aren’t what they seem, the FBI and the Mexican mafia and a scary hit man sent by some South American drug lords are all in the mix, with Pike in the middle and Cole watching out for him for a change.

Even when Joe finds out Dru is real Rose and was playing him, he still insists on helping her out of the jam she’s in. Does he love her? No, I don’t think so, but could he have loved her? Yes, definitely  and that  would take Joe way outside his comfort zone.

I’ve rarely seen Joe Pike this vulnerable, this unsure of what the truth is. For Joe things are absolute, either black or white. It’s hard to read about him floundering a bit in the murky gray.

By the end of the book, which did not end well for “Dru” and “Wilson”, Joe is bouncing back. It will take time but he will rally. He always does!

Fantastic read.

Five stars!

 

 

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Lost Light (Harry Bosch #9) by Michael Connelly

Book Description:

Published: March 1, 2004

Format: Audio/OverDrive

The vision has haunted him for four years–a young woman lying crumpled in death, her hand outstretched in silent supplication. Harry Bosch was taken off the Angella Benton murder case when the production assistant’s death was linked with the violent theft of two million dollars from a movie set. Both files were never closed. Now retired from the L.A.P.D., Bosch is determined to find justice for Angella. Without a badge to open doors and strike fear into the guilty, he’s on his own. And even in the face of an opponent more powerful and ruthless than any he’s ever encountered, Bosch is not backing down.

Review –

I’ve read or listened to most of the Harry Bosch series but every once in a while I will come across one that’s I’ve missed. This was one and when I found it available on OverDrive I checked it out.

Writing in the first person for the first time, Connelly finally gets us inside Bosch’s head and it really gives us an insight to how his mind works. Great job on the author’s part.

Recalling the opening of Raymond Chandler’s The Big Sleep, Bosch shows up at a rich movie executive’s home in his best suit. He has gone to ask about a woman who was murdered when Bosch was still on the police force. You see, when Bosch retired, he took his unsolved case files with him, and some of the untouched cases still haunt him.

The woman Bosch is asking about was killed at the movie exec’s studio and the case was eventually overlooked, when an armored truck delivering two million dollars as a movie prop was hijacked. But Bosch never forgets, and after asking around, he gets warnings from some of his old co-workers, namely Kiz Rider, who asks him to stay out of the case.

As Bosch begins to sift through the murder, the FBI, a paraplegic ex-cop, productions studios, his former wife, and Hollywood clubs become involved. When one of the marked dollar bills from the robbery turns up with a suspected terrorist, Bosch becomes entangled with the newly created Homeland Security division of the FBI. This is where Connelly begins to shine. He ratchets up the suspense as Bosch becomes more and more involved with the Feds, who are trying to keep him off the case. But in true private investigator tradition, Bosch only becomes more stubbornly determined to solve the case.

Particularly enjoyable are those scenes when we follow Harry as he tries to interview suspects and find clues, and the difficulty he has making the transition from an insider to an outsider. The interactions with characters, the paraplegic especially, have a very dark and moody feel.

The ending of the story is a surprise and a tear-jerker (at least for me), but works with Connelly’s theme of balancing the light and darkness of his mission, and the last third of the book is absolutely riveting.

I’m going to re-check my list to see if I have missed any other Harry Bosch gems and find them if I can.